CIDIM



Stoccolma - Svezia: Duo Bacelli Ballista - Suono Italiano 2019
Martedì 17 settembre 2019, ore 19.00 - Duo Monica Bacelli, mezzosoprano e Antonio Ballista, pianoforte. In collaborazione con l'Istituto Italiano di Cultura di Stoccolma.

Appuntamento nell'ambito del progetto Suono Italiano - che gode del contributo del Ministero per i Beni e le Attività Culturali - Direzione Generale per lo Spettacolo.


Programma:
Malìa
Un itinerario nell'Europa musicale di Francesco Paolo Tosti
Per la prima volta, in questo concerto, Francesco Paolo Tosti appare in una veste inconsueta rispetto a quella tradizionalmente attribuitagli. Accanto alle romanze inglesi e francesi, poco frequentate, melodie italiane notissime e non...

FRANCESCO PAOLO TOSTI (1846-1916)
Liriche italiane
Malìa, Non t'amo più, Aprile, O falce di luna calante, Marechiare, Vorrei Morire

Liriche inglesi
Come to My Heart!, The Love that came too Late, Love's Return, Spring, Never!, Good-Bye!

Liriche francesi
Le papillon et la fleur, Ninon, Je pleure!..., Petite Valse Romantique, Chanson de l'Adieu, Au temps du grand Roy!, Rêve

Liriche italiane
L'ultimo bacio, Chitarrata Abruzzese, Visione, Per morire, Ideale, 'A Vucchella


Biografie:
Monica Bacelli studied with Maria Vittoria Romano and Donato Martorella and graduate at the Music Conservatory in Pescara: she won the Belli Competition and she debuted in Spoleto as Cherubino in Le Nozze di Figaro and Dorabella in Così fan tutte. Sghe performed on the world's most prestitgious stages collaborating with conductors such as Claudio Abbado, Semyon Bychkov, Riccardo Chailly, Gustavo Dudamel, Daniel Harding, Daniele Gatti, Zubin Mehta, Riccardo Muti, Seiji Ozawa, Antonio Pappano and Sir Simon Rattle. Winner of the prestigious Premio Abbiati, her vast repertory includes Mozart (Idamante, Cherubino, Elvira, Dorabella and Sesto), Rossini, baroque authors including Monteverdi, Cavalli and Handel, as well as French operas (Les Contes d’Hoffmann, Werther, Don Quichotte and L’Enfant et les sortilèges.) Among her recent and future engagements: Melisande in Pélleas et Mélisande in Bruxelles, Donna Elvira in Don Giovanni at Municipal in Sao Paulo, Sesto in La clemenza di Tito in Venice, Mère Marie in Les dialogues des Carmélites at Accademia di Santa Cecilia, Ottavia in L’incoronazione di Poppea at Palais Garnier and La Scala, Sesto in Giulio Cesare in Toulon, Melisande in Pélleas e Mélisande in Florence under the baton of Daniele Gatti, Idamante in Idomeneo for the opening of the season in Venice and in Valencia, Roggero in Alcina at Grand Theatre de Geneve, concerts with eclectic repertoir and a Recital at the ROF in Pesaro, Ottavia in L’incoronazione di Poppea at La Scala, Sesto in La clemenza di Tito in Madrid, Despina in Così fan tutte in Rome and Geneve, Manon Lescaut in Neaples, Cherubino in Cagliari and Meg in Falstaff and Orfeo in Turin, Re in Bologna, La Calisto at Teatro Real in Madrid.

Antonio Ballista is a musician with a strong intolerance to all kinds of conventions and routines. His curiosity has no limits, so that he likes to perform a big variety of musical expressions, without making aesthetical discriminations among the different styles of the music he plays, as he considers music as a whole. According to this philosophy, Antonio has realized his artistic way playing side by side both intellectual and consumer music. His musical programs include very unlike styles as: Classical music, Ragtime, Italian and American songs, Rock, Film sound tracks. His original and personal interpretations – sometimes realized also with theatrical appearances – establish important elements to enlarge the concert’s normal features. From 1953 he has played in a piano Duo with Bruno Canino. The Duo started on a successful career which has continued to date without interruptions. The performances of the duo in the field of the contemporary music have an historical value: their presence was fundamental for the spread of new works and for the catalyst influence over many composers. Antonio has played under the leading of C. Abbado, P. Boulez , R. Chailly, B. Maderna, R. Muti, with important international orchestras, such as BBC Orchestra, Concertgebouw, Israel Philharmonic, Filarmonica della Scala, London Simphony, Orchestre Nationale de France, Philadelphia Orchestra, New York Philharmonic, as well as very important Festivals: Paris Festival, Edimburgh, Warsaw, Berlin, Strasbourg, Maggio Musicale Fiorentino, Venezia. As a conductor Ballista, among his several interpretations has realized the première of Gilgamesh by Franco Battiato (Teatro dell’Opera - Roma), as well the performance of the Simphony for 21 pianos by Daniele Lombardi at the Winter Garden in New York. He has conducted the most important Italian orchestres, such as the Radiotelevisione Italiana in Milano Napoli, Roma, Torino orchestra, orchestra Regionale Toscana, orchestra Verdi in Milan, Teatro Regio in Torino he has also conducted foreign orchestras such as the Radio e Televisione in Zagabria, in Switzerland Teatro dell’Opera in Muenster. Berio, Bussotti, Castaldi, Castiglioni, Clementi, De Pablo, Donatoni, Lucchetti, Morricone, Mosca, Panni, Picco, Sciarrino, Sollima, Togni and Ugoletti have written compositions for him. He has also carried out several tours with Berio, Dallapiccola, Stockhausen, and has performed monographical concerts with Boulez, Cage and Ligeti. In 1995 Antonio founded the chamber music ensemble “Novecento e oltre” mostly devoted to XX Century Music and to the latest musical tendencies. The Ensemble made his first appearance in Palermo – the concert was organized by EAOSS together to Associazione Siciliana Amici della Musica – where they performed the complete works by Anton Webern, in occasion of the 50th anniversary of the composer’s death. Furthermore, with 4 concerts realized at the Biennale di Venezia, the Ensemble played the complete chamber music by Igor Strawinsky. In 2003 Antonio, Alessandro Lucchetti and Federico Mondelci founded the trio Fata Morgana, skilled in crossing over various musical styles. His enthusiasm for the Lieder literature drove him to collaborate with singers as Roberto Abbondanza, Anna Caterina Antonacci, Phillys Bryn-Julson, Monica Bacelli, Cathy Berberian, Luisa Castellani, Gloria Davy, Kim Kriswell, Sarah Leonard, Anna Moffo, Alide Maria Salvetta, Susanna Rigacci, Luciana Serra, Lucia Valentini Terrani, Gemma Bertagnolli, Alda Caiello, Laura Cherici, Lorna Windsor. Besides it is really remarkable his collaboration with actors as Paolo Poli (with a fellowship more then 30 years long), Gianni Agus, Ernesto Calindri, Arnoldo Foà, Ottavia Piccolo, Toni Servillo, Franca Valeri, Milena Vucotic, Peter Ustinov and the dancers Marga Nativo and Elisabetta Terabust. He has realized a CD discography with RCA, Wergo, EMI, Ricordi, La Bottega Discantica. As piano professor (from 1965 until 1988) he has taught at Conservatorio A. Boito - Parma and furthermore at Conservatorio G. Verdi – Milano; afterwards he has given courses at Accademia Pianistica di Imola / Incontri con il Maestro.
Martedì 17 settembre 2019, ore 19.00
Istituto Italiano di Cultura, Gärdesgatan 14, Stoccolma - Svezia


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